THE WOMAN IN THE WINDOW is a disastrous attempt at emulating Hitchcockian thriller tropes, wasting a stellar cast in the process.
TOISTO
GODZILLA VS KONG is a distractingly aimless and shapeless monster mashup with dull characters, bad writing, and tiresome action.
RESIDENT EVIL VILLAGE doesn't do anything new and carries its age with pride, but there's still lots to love in this rollercoaster of terror.
MINARI is a beautiful, nuanced, and intimate masterpiece of life told through the eyes of a Korean family in 1980s America.
PROMISING YOUNG WOMAN is a well-directed and superbly acted film that takes aim at everything, and misses more than it hits.
RETURNAL solidifies Housemarque as prestige developer. But in attempting to be a bit of everything, RETURNAL feels messy and aimless.
WITHOUT REMORSE is a baffling thriller that tries to cover its inherently problematic morals with nonsense in hope that nobody will notice.
SOUND OF METAL is a brilliant portrait of change, anchored by a career-best performance by a dazzling Riz Ahmed. One of the best films of the year.
SHADOW AND BONE looks gorgeous, but comes saddled with two competing shows, one of which is clearly better than the other.